Adrian Ludwig Richter
German, 1803-1884 German painter, printmaker and illustrator. He ranks with Moritz von Schwind as the most important representative of late Romantic painting and printmaking in Germany. In contrast to the work of such leading masters of early Romanticism as Philipp Otto Runge and Caspar David Friedrich, which was ambitious in content and innovative in form, Richter's art was more modest in its aims, in line with the restrained intellectual climate of the Biedermeier period.
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Adrian Ludwig Richter Brautzug im Fruhling oil painting


Brautzug im Fruhling
1847 Oil on canvas 93 ?? 150 cm cjr
Painting ID::  77115 		Adrian Ludwig Richter
Brautzug im Fruhling
1847 Oil on canvas 93 ?? 150 cm cjr
   
   
     
Adrian Ludwig Richter last Medici Grand Duke of Tuscany oil painting


last Medici Grand Duke of Tuscany
. 1737(1737) Medium Oil on canvas cyf
Painting ID::  79545 		Adrian Ludwig Richter
last Medici Grand Duke of Tuscany
. 1737(1737) Medium Oil on canvas cyf
   
   
     
Adrian Ludwig Richter Brautzug im Fruhling oil painting


Brautzug im Fruhling
1847 Medium Oil on canvas Dimensions 93 x 150 cm cyf
Painting ID::  80542 		Adrian Ludwig Richter
Brautzug im Fruhling
1847 Medium Oil on canvas Dimensions 93 x 150 cm cyf
   
   
     
Adrian Ludwig Richter Ave Maria oil painting


Ave Maria
1834(1834) Medium Oil on canvas cyf
Painting ID::  83337 		Adrian Ludwig Richter
Ave Maria
1834(1834) Medium Oil on canvas cyf
   
   
     
Adrian Ludwig Richter Inntal bei Hall oil painting


Inntal bei Hall
Date 1823 Medium Oil on canvas Dimensions 35 x 48 cm cjr
Painting ID::  86471 		Adrian Ludwig Richter
Inntal bei Hall
Date 1823 Medium Oil on canvas Dimensions 35 x 48 cm cjr
   
   
     
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     Adrian Ludwig Richter
     German, 1803-1884 German painter, printmaker and illustrator. He ranks with Moritz von Schwind as the most important representative of late Romantic painting and printmaking in Germany. In contrast to the work of such leading masters of early Romanticism as Philipp Otto Runge and Caspar David Friedrich, which was ambitious in content and innovative in form, Richter's art was more modest in its aims, in line with the restrained intellectual climate of the Biedermeier period.

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